Prepare your self for a Scooter Braun-themed model of “Mean” when Taylor Swift rerecords her previous music, as a result of the battle over the possession of her masters rages on.

Am Montag, Vielfalt reported that Braun had offered the rights of the singer’s early catalogue to an unnamed personal fairness firm for greater than $300 million. The sale got here greater than a 12 months after Braun’s Ithaca Holdings acquired the Nashville-based Big Machine Label Group, together with the rights to Swift’s first six albums.

At the time, Swift described the music supervisor taking management of her masters because the “worst-case scenario” in a scathing open letter that accused him of “incessant, manipulative bullying” all through her profession. The fallout created deep divides within the music neighborhood, with recording artists like Kelly Clarkson and Halsey defending Swift, whereas others backed Braun, together with Demi Lovato.

In a prolonged be aware posted to Twitter on Monday after information of the newest sale broke, Swift mentioned she hoped to “clear things up” concerning the headline-making deal.

Before the sale, the Grammy winner defined that she’d entered into negotiations with Braun to “actively regain ownership of my master recordings,” however issues rapidly fell aside. 

“Scooter’s team wanted me to sign an ironclad NDA stating I would never say another word about Scooter Braun unless it was positive, before we could even look at the financial records of BMLG (which is always the first step in a purchase of this nature),” Swift mentioned. “So, I would have to sign a document that would silence me forever before I could even have a chance to bid on my own work.”

She went onto add that her authorized crew had “never seen an NDA like this presented unless it was to silence an assault accuser by paying them off.” 

“He would never even quote my team a price. These master recordings were not for sale to me,” she concluded.

Swift mentioned that she was later solely notified of Braun’s sale of her catalogue — which she revealed was to Shamrock Holdings — after the deal was already accomplished.

Despite her preliminary aid that Braun would not be concerned in her profession, throughout discussions with Shamrock, Swift mentioned it grew to become evident that, underneath the phrases of the sale, he would proceed to “profit off my old musical catalog for many years.”

“I was hopeful and open to the possibility of a partnership with Shamrock, but Scooter’s participation is a non-starter for me,” she added. 



Taylor Swift’s battle over the possession of her early catalogue rages on. 

Alongside her be aware, Swift additionally posted a letter she wrote to Shamrock representatives, dated Oct. 28, through which she mentioned she expressed her enthusiasm concerning the “idea of working with people who value art and understand how much my life’s work means to me.” But she drew the road at lining Braun’s pockets, including, “If I support you, as you request, I will be contributing to these future payments to Scooter Braun and Ithaca Holdings. I simply cannot in good conscience bring myself to be involved in benefitting Scooter Braun’s interests directly or indirectly.”

In an announcement to Variety, Shamrock mentioned: “Taylor Swift is a transcendent artist with a timeless catalog. We made this investment because we believe in the immense value and opportunity that comes with her work. We fully respect and support her decision and, while we hoped to formally partner, we also knew this was a possible outcome that we considered. We appreciate Taylor’s open communication and professionalism with us these last few weeks. We hope to partner with her in new ways moving forward and remain committed to investing with artists in their work.”

Regardless of the continued scuffle with Braun, Swift mentioned she intends to stay to her plan to rerecord songs from her first six albums, teasing that followers can count on to listen to extra from her quickly. 

Whatever Swift data now, she is going to personal outright: Under her present take care of Republic Records and Universal Music Group, the singer is in full management of her personal work, together with her two most up-to-date albums, “Lover” and “Folklore.” 

“I have recently begun re-recording my older music and it has already proven to be both exciting and creatively fulfilling,” she wrote. “I have plenty of surprises in store. I want to thank you guys for supporting me through this ongoing saga, and I can’t wait for you to hear what I’ve been dreaming up.”